dBut even the middle of the story is only part of a greater Whole. However if someone knouus the middle they an guess the ending, it they are told that erson “A” had to have triple bypass surgery and that person “3” murdered a few people they can make an educated guess how each Story ends. or drank too much but if they don’t know anything else they can’t guess the middle. Someone dies from heart failure no one can know anything about his life, they may guess the person ate too much junk food. so since the ending is already known hy does it have the tendency to “steal” the spotlight from the rest of the story? Sure in some cases people can guess the middle of a story from the ending, if they find someone died in an electric chair they can assume he committed a crime. This holds true with literature versus a beach novel although a beach novel and piece of literature may end the same way it is the rest of the book that makes one different from the other.Īs she says the true ending is “John and Mary die” the only guarantee in life is death. ![]() She seems to say that the endings are all cliché that the middle is the part that is unique. Since “A” must be the happy ending, it implies that there are other, more sinister endings yet to be discovered.Īppropriately, after the happy ending has completed, there follows five more endings, all of which seem to be quire depressing, hur nevertheless end in everything continues in A” Margaret Atwood uses her short Story Happy Endings to show that it is not the end of a story that is important it is the middle. By asking the reader, -If you want a happy ending, try A,” Atwood is seemingly giving the reader a choice. The story, it it an really be called a “story” in the traditional sense of the word, immediately breaks the thin wall of author/audience by presenting a completely unique Structure: that Of an outline or a jumbled notebook. tory “Happy Endings”, Margaret Atwood simultaneously displays her feelings about not only the art of creative writing, but also the equally artistic act of living one’s lite to the fullest. She wrote prose and poetry for her high school drama class. As a child, Atwood composed and illustrated poems, Which she collected into small books. Her family spent the school year in Ottawa and Toronto, where her father taught entomology or orked for gm’ernment agencies, and summers in northern Quebec and Ontario where her father conducted research These early experiences away from urban sociery encouraged Atwood to read and develop her imagination. Her childhood was divided between the city and the country. In “Happy Endings,” Atwood fulfills this role with a challenge that she throws out to those writers who rely on the stereotypical characterization of men and women and to the reader who accepts such gender ryping_ the same time, she challenges other writers to more closely examine typical literary convention (1 Margaret Atwood was born on November 18, 1939, in Ottawa, Ontario. Which is essentially a self-referential Story framework, falls into the third category. Subtitled “Short Fiction and Prose Poems,” Murder in the Dark featured four types ofworks: autobiographical sketches, travel notes, experimental pieces addressing the nature at writing, and short pieces dealing with typical themes, notably the relationship betvoeen the sexes. and it was published in 1 934 for American audiences in Good Bones and Simple Murders. EBSCOhost, /login?url=.Margaret Atwood’s “Happy Endings” first appeared in the 1983 Canadian collection. “Librarians.” Occupational Outlook Handbook, U.S. United States, Bureau of Labor Statistics. Online book (entry in book, corporate or organization as author) ![]() “Lincoln, Abraham.” The World Book Encyclopedia, 2017, pp. Kennedy and Dana Gioia, 5 th ed., Pearson, 2016, pp. ![]() “Happy Endings.” Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing, edited by X.J.
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